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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha.�
Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
- Sales Rank: #1349144 in Books
- Brand: Brand: Art Institute of Chicago
- Published on: 2012-01-31
- Original language: English
- Number of items: 1
- Dimensions: 1.02" h x 9.95" w x 12.16" l, 4.07 pounds
- Binding: Hardcover
- 264 pages
- Used Book in Good Condition
About the Author
Matthew S. Witkovsky is Ellen and�Richard Sando Chair and Curator of photography at The Art Institute of Chicago.
Most helpful customer reviews
4 of 5 people found the following review helpful.
Think and Shoot: the coming together of Conceptual Art and Photography
By Grady Harp
LIGHT YEARS: CONCEPTUAL ART AND THE PHOTOGRAPH, 1964 - 1977 is a finely written (Matthew Witkovsky, Mark Godfrey, Anne Rorimer, Joshua Shannon, Robin Kelsey and Giuliano Sergio) and designed catalogue book that accompanied an exhibition at the Art Institute of Chicago.
The pioneering movement known broadly as Conceptual Art succeeded in bringing photography definitively into the mainstream of contemporary art. Artists such as Ed Ruscha, Bruce Nauman, John Baldessari, Eleanor Antin, and Sigmar Polke , Vito Acconci, Sol LeWitt Giuseppe Penone and Mel Bochner took up the production of new photographs--as opposed to using found images from mass media and consumer culture like the Pop artists--and placed photography firmly on an equal basis with avant-garde painting and sculpture. They did this by exploiting the photographic image in every way possible: in books, slides, canvases, films, sculptural asemblages and room-size multimedia installations. The results were liberating for all the arts and made it possible for contemporary art to become a field without a medium.
This hefty book examines the pathbreaking role photography played in these critical years. More than 140 works by 57 artists are featured. Bringing to the fore work from the Italian group Arte Povera as well as artists from Eastern Europe who are rarely shown in the United States, Light Years also includes many pieces that have not been seen in decades by such major artists as Mel Bochner, Tony Conrad, Michael Heizer, Gordon Matta-Clark, and Emilio Prini.
Not only is this an impressive book that stands as an art book on its own merits, it also serves as a missing link in the written history of the marriage of photography and conceptual art. Grady Harp, April 12
3 of 5 people found the following review helpful.
wonderful
By brownkat
This is a great companion piece to a wonderful show. The essays are well-written and the plates are high quality.
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